Director: Craig Viveiros
Writer: John Wrathall
Starring: Tim Roth, Jack O’Connell, Peter Mullan, Talulah Riley
Synopsis: In order to pay the damage on his step-dad’s car, Adam
(O’Connell) agrees to drive a mysterious gangster (Roth) around for 24 hours.
During the day he’s privy to new, exciting, haunting, and tough experiences
until they all dangerously collide.
British crime films are
all-too-common since the success of Lock,
Stock & Two Smoking Barrels. Many have gone in the opposite direction
of the Guy Ritchie crime-caper and set a deeply dark tone as a trend. However,
occasionally there are refreshing examples of macabre humour, nicely
reminiscent of Ritchie’s 1998 classic. Whilst The Liability will not become a new favourite it contains an hour
of decent action and witty dialogue. Sadly, it falls flat with a messy last
half hour as it tries to stretch itself too far with genre-play.
Starting off as an ostensibly average
crime comedy, The Liability moulds
itself into a quaint buddy movie once Tim Roth enters into it. From his
entrance until the introduction of Talulah Riley’s character, there is an
excellent series of quips exchanged between Roth and Jack O’Connell. Roth’s Roy
is steeped in mystery and remains as such through 99% of the film (a trait that
needn’t be criticised) so having his opposite alongside of him – yapping away
at every given moment, and querying the ins and outs of the profession – works
wonders for the plot and character development.
Things take a sharp turn for the
worst when a seemingly dormant plot line comes to the forefront of the story.
It first involves Talulah Riley’s character stumbling upon Roy and Adam’s crime
scene and finding herself with a key piece of evidence. It’s just after her
getaway with the evidence that the film wanders into Americana (a diner with a
neon-lit car park, a score pathetically similar to Drive, and milkshake and Ray Ban sunglasses iconography) and
destroys the vibe so well-crafted up until now.
It gets no better, and despite
some beautiful cinematography within these American-inspired scenes, it
acquires an awkward ambience overall. One giant, in-your-face set piece may
have seemed like a good idea on paper but it does no justice to the small, smart
film it started off as. By the end it brings itself back to earth but the
damage is already done, especially with a last shot that will make your eyes
roll right back into your skull.
The prominent cast members – Tim
Roth and Peter Mullan – continue to own their respective scenes but upcoming
star Jack O’Connell does a brilliant job of stealing occasional moments from
them. The 22 year-old actor, who rose to fame with Skins and Harry Brown,
has no emotionally draining scenes in the film, but leaves a definite
impression on it overall. If The Liability lacks tonal fluidity, it
certainly reinforces the cast’s ability to lead and support in every sense.
***
Also posted on LiveForFilms
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