Perhaps due to the massive build
up, there was no way The Walking Dead’s
mid-season finale could really knock your socks off. Furthermore, with it being
mid-way through the season’s arc, there couldn’t have been too many threads
opening out without the drama exploding somewhat superfluously. That is not to
say that “Made to Suffer” isn’t a great episode, it is – just not in comparison
to the rest of Season 3.
Major
Spoilers Follow
The nail-biting end of episode 7
saw Rick, Daryl, Michonne and Oscar on the feral side of Woodbury’s fence. One
query I had last week was whether Merle, the Governor and Andrea would head off
to the prison and the two groups would miss one another by a mere few metres or
minutes. Fortunately the tension is amped up when our heroes enter into the
Woodbury community whilst the Governor and his band still plan from within
their base. Maggie and Glenn are still being held prisoner and their fates
(among many) hang in the balance.
The episode does not start where
we left off but instead begins with a foggy shot of a wood with the accompanied
sound of a high-pitched scream. We cut immediately into the wood to a group of
survivors led by a burly black man (Tyreese played by The Wire actor Chad Coleman). As well as introducing new characters
(mostly a bonus in this show) this epilogue contains some of the best
prosthetic work so far. Recently CG has taken over some of the walker kills but
as Tyreese hacks his way through the undead there is either invisible CG work
at play, or just fantastic make-up effects. The scream came from an injured
member of the party whilst another one is bitten as they run for any kind of
cover. In their desperation to find shelter and a place to recuperate, they
walk into the prison (open thanks to a split fence – how walkers have not got
in this way so far is slightly befuddling); more stories intertwining for this
finale.
A lot of attention is given to
the Governor’s naive obsession with having walkers cured, the prime case being
his daughter. She is locked in a cell in his warped room of death and trophies.
There are moments where you can see desperation in his eyes (David Morrissey
giving a terrific performance) as he yearns for some semblance of recognition
from Penny. Even with this odd tragedy, the lengths he goes to try and control
everything around him shows him to be narrow-minded through his need to bring
back his old life. He is dangerous in this regard and Michonne is one of the
only ones aware of this. Later when Michonne kills Penny (a moment of triumph;
allowing Penny to be put to rest and a way to wound the all-too-powerful
Governor) and subsequently stabs him in the eye, Andrea and maybe some viewers
feel sorry for him. Despite this, he turns his loss and mutilation into a form
of motivation – to strike out at Michonne and her new companions. The next half
of the season will be doubly dramatic with the Governor out to destroy. It will
also have Andrea sided quite firmly with the Governor as her stand-off with
Michonne post-stabbing finally shows them divided.
As well as the Governor, the
townspeople of Woodbury are put in jeopardy by Rick and co who are unaware of
what kind of place it is. They have one clear goal and that is to find and
rescue Glenn and Maggie. They do this stealthy (thanks to Rick and Daryl’s
cunning and tactical nature) but not without an eventual retaliation. This is
where the episode falters somewhat and most action is shakily shot. What’s
more, the smoke grenades that cover Rick and his crew fogs most of what the
audience can see. It’s all integral to the moment but one can’t help wonder if
this event couldn’t have been played out in a less choppy way.
After rescuing Glenn and Maggie
the former tells Daryl about Merle. Daryl’s want to see his brother is touching
but as ardent fans of the Rambo-esque character will note, that interaction
would change things perhaps drastically. Rick’s tact for negotiation and reason
allows Daryl to momentarily forget about his brother and think of the situation
at hand. It is a wonder that after Daryl is caught and brought in front of the
hostile Woodburians that he can live up to his word- to “talk to him [and] work
something out”. Daryl has evolved to a lucid, caring figure and as much as it
pains me to see him in danger, there is hope that he can work his way out of
trouble.
Rick is still not clear of
trouble himself and even as the main hero (hopefully bound to survive because
of this) he has deep-rooted flaws. A slight delusion including Shane walking up
to him (only to be a random Woodbury soldier) shows that his mind is still not
without its problems. Mind not completely in the moment also leads to Oscar
getting shot and killed - another character entered into Rick and Daryl’s
circle that sees his end. At least there is a possible replacement with one of
Tyreese’s people.
Back in the prison Tyreese and
his group are stuck in the boiler room with a load of zombies only to have Carl
save them. As one of the new characters is bit Carl has to bring them all back
to a safe cell, though has to lock them in fear of the bitten one coming back
as a walker. Tyreese seems collected even under the circumstances and
appreciates the space around him – more safe and secure than they’ve known for
weeks. He’s bound to become a great new character (plus, as a Wire cast member, there’s no doubt in
his acting ability).
There is a lot to absorb in the 40 minutes,
arguably more events and overlapping than we’ve seen up until now. My main
interest for the next 7 episodes is Daryl imprisoned in Woodbury and how he’ll
hopefully get out. The argument that things happen too quickly for this episode
may not be considered by some viewers as the action does play out in a
realistic time (frantic and for good reason). Still, to my mind, I would have
preferred the new characters to have been introduced in February’s episodes and
to have all the focus on Rick, Daryl, etc, and the Woodbury lot. That way
Oscar’s death wouldn’t have been skipped over so fast, Glenn and Maggie’s close
execution may have seemed more dramatic and Daryl’s disappearance and capture
could have been investigated (it would be interesting to see how they caught
the agile and aggressive hillbilly). Apart from episode 6 this is the least
entertaining episode yet, but still miles ahead of what other TV has to offer.
Director/Writer: Ryan Coogler
